MI LUM Y YO

Manuel Guzmán Retrospective

Manuel Guzmán (b. 1964) is originally from the community of Chaná, in the municipality of Tenejapa, and his mother tongue is Tseltal.

He is a farmer/coffee grower and father of two. Manuel (also known as Nelo) is a remarkable self-taught artist who began drawing at an early age and has been in dialogue for decades with other artists—particularly with master artist Antún Kojtom, also from Tenejapa—and, since its founding in 2014, with members of the artistic community of Espacio MUY.

In 1992, while working in the construction of the subway in Mexico City, Manuel was hit by a pesera (minibus) and remained in a coma for several months. This near-death experience deeply marked him. With admirable determination and after a long recovery process—despite permanent speech impairments—he returned to his artistic practice with renewed strength and a heightened spiritual depth.

Manuel is a meticulous observer of community life. He paints the daily activities of women and men, local festivities, and the relationships with neighboring towns (particularly Oxchuc, Cancuc, and Chamula). He also records historical events, both at the local level (such as the arrival of electricity in his community) and at the regional-national level, most notably the Zapatista uprising. In his work, history blends with spirituality. He paints Palenque and explores the iconography of the Classic Maya civilization. His religiosity is expressed through both Christian symbolism and Tenejapaneca mythology. Throughout his body of work, Guzmán merges a documentary impulse with a dreamlike vision: “That’s how I saw it in my dream,” is a recurring explanation he offers for many of his paintings.

Guzmán gives his work a unique signature, thanks to his synthesis of figurative and abstract elements. With his rainbow-like colors, he brings joy to viewers’ lives. As one of Manuel’s amateur art critics, Milah Liban, once remarked: “Naïve are the people who would call the master ‘naïve’.” Indeed, his art speaks directly to the soul—resonating with people of all ages and all cultural backgrounds.

Manuel Guzmán’s trajectory includes an Honorable Mention for Indigenous Art awarded in 2016 by the State Council for Cultures and the Arts of Chiapas (CONECULTA); a partial feature in the international art magazine Dizzy in 2020; and recognition as one of the most beloved and best-selling artists at the 2021 Outsider Art Fair in New York, USA.

Lead Curator: Martha Alejandro
Espacio MUY
June–July 2025

Obras

Miguel fell off his horse | Manuel Guzmán

Óleo sobre tela
42x40 cm
2023

Young Miguel travels a lot on his horse, he didn’t get on properly and that’s why he fell.

Dream | Manuel Guzmán

Óleo sobre tela
50.5x70 cm
2019

It’s a dream, where you can see the faces of the Mayans, there are colorful figures. They embroider them with their hands.

Dream | Manuel Guzmán

Óleo sobre tela
45x40 cm
2017

In my dream, I saw some figures appearing in the sky. There was a glow from the sun, with different colors around it.

Putting out the fire | Manuel Guzmán

Óleo sobre tela
80x70.4 cm
2019

The men are trying to control the fire with their machetes, sticks, and branches to prevent it from spreading further; they’re opening a gap.

The deer | Manuel Guzmán

Óleo sobre tela
45x40 cm
2017

When we see a rainbow in the sky, it means it won’t rain. There are deer in this landscape. The yellow mountain reflects the sunlight.

Loading the bell | Manuel Guzmán

Óleo sobre tela
35x50.3 cm
2016

Juan Hernández has been carrying the bell for his community for sixty years.

Authorities| Manuel Guzmán

Óleo sobre tela
60x50 cm
2024

They’re officials in their Tenejapa suits. They’re in a meeting, so they have their papers on the table. They’re talking about their projects.

The massacre of the hereros | Manuel Guzmán

Óleo sobre tela
60x70 cm
2024 cm

It was easier for the men with rifles to kill the men who only had machetes. (These are lying on the ground.) And that’s why the men with only machetes couldn’t defend themselves. They’re fighting for their land.

I dream of not falling into the cave | Manuel Guzmán

Óleo sobre tela
40x50 cm
2022

The man is afraid of falling into the cave. He doesn’t want to fall; he’s on a very narrow path.

Don't Fall, I dream | Manuel Guzmán

Óleo sobre tela
40x50 cm
2022

The man is walking. He has his hands raised. Because he’s afraid he’ll fall off the cliff.

Horses in my dream | Manuel Guzmán

Óleo sobre tela
40x45 cm
2021

The man is seeing horses in his dream

Tony and the naked woman | Manuel Guzmán

Óleo sobre tela
40x50 cm
2022

The man saw the naked woman in his dream.

The musicians | Manuel Guzmán

Óleo sobre tela
51x60 cm
2024

On November 2nd, I’ve arrived in Romerillo a few times. And I see men playing their guitars. People at their relatives’ graves. Women and men light candles. Although it’s a Chamula custom, some of us from Tenejapa come to see Romerillo’s celebration.

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Faithful departed| Manuel Guzmán

Óleo sobre tela
50x45 cm
2017

The people who founded the new town of Nuevo Zinacantan arrived here without having anything beforehand, so they lived under the trees. Later, they gradually built their houses. Since it was a very close-knit community, they all supported each other in building their houses.

Line for payment | Manuel Guzmán

Óleo sobre tela
50x70 cm
2024

The women of Tenejapa, in their white, yellow, and green clothing, are lining up for payment. The other women are from another municipality; the woman paying doesn’t belong to any town. It’s because of their support, and also the support of their children. I painted the sun as if it were early in the morning, and that’s why I painted it that way.

Women's Meeting of Chamula and Tenejapa | Manuel Guzmán

Óleo sobre tela
50.5x60 cm
2024

It’s a gathering of women from Chamula and Tenejapa. They’re talking about their projects.

Women's talk | Manuel Guzmán

Óleo sobre tela
50x60 cm
2024

It’s a meeting of women, they’re talking about their projects.

Mayan legends | Manuel Guzmán

Óleo sobre tela
50x60 cm
2024

The men are looking at the sky, wondering what will happen tomorrow.

The Mayans see the stars | Manuel Guzmán

Óleo sobre tela
32x50. 3 cm
2021

The Mayans are looking at the stars.

Tenejapaneco e oxchukes | Manuel Guzmán

Óleo sobre tela
40x61 cm
2022

I painted a couple, with clothes from Tenejapa and another from Oxchuc.

Mayan Encounters | Manuel Guzmán

Óleo sobre tela
45x60.5 cm
2025

It’s a meeting with male participants. They’re from different towns, they wear different outfits. And they came together for their projects.